The article deals with the issue of the peculiarities of intertextuality in the late work of Daniil Andreev; reveals the significance of his contribution to the development of neomythological strategies of Russian literature in the first third of the 20th century, bringing these strategies to the highest degree of development. The aim is to form a special approach to the study of Andreev's "intertextuality". To achieve the goal, the author chose a research methodology, which includes a systematic approach, as well as the method of critical analysis. The author draws the following conclusions: the texts of late writing are a phenomenon of life-texts, borrowing of a literary text in a life-text deprives the literary text of autonomous content, Andreev's "intertextuality" is aimed at capturing the mythical life-text of someone else's text without returning it to the original context, Andreev's "intertextuality" is aimed at rewriting the content of the entire world culture and history in the light of the newest "integral knowledge" of the Rose of the World; Andreev's "intertextuality" is transgressive, since the borrowed objects of the cultural heritage cease to be objects, are filled with the spirituality of the myth-maker and turn into living mystery faces of the future Rose of the World rites.
